Blog
January 19th, 2023
Dirac at CES 2023
During 5 – 8 January, we were happy to participate at CES 2023, the most influential tech event in the world. Here is a summary…
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October 7th, 2022
From garage studio jams to spearheading soundscapes – meet Gabriel Lundh, Dolby Atmos Music Producer and Mixer
How can you evoke emotions through music not only in a studio but also in a car? Dirac and Dolby have collaborated to showcase high-quality…
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June 8th, 2022
Bob Bronow’s story
Emmy Award-winning sound designer and re-recording mixer Bob Bronow embraces studio-correction software so that his mixes sound great even away from the studio It’s safe…
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May 18th, 2022
Upmixing and the Future of In-Car Audio
User experience innovations popularized by electric vehicles are raising buyer expectations with features such as semi-autonomous driving, rapid charging, quieter cabins and enhanced in-vehicle mobile…
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May 4th, 2022
Discussing home audio evolution with Terry Ellis
Dirac Live Connects Calibration Specialist Terry Ellis to a Broad Cross-Section of Consumers Seeking Sublime Listening Experiences Terry Ellis remembers a time, not that long…
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April 4th, 2022
Dirac Live’s new auto target curve: Even better sound, effortlessly
Have you tried Dirac Live’s new auto target curve yet? Available now in the new Dirac Live mobile app, rebuilt from the ground up for…
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March 28th, 2022
Mathias Johansson’s thoughts on The Future of Sound
We asked Mathias Johansson, Chief Product Officer and co-founder of Dirac, if he could share his thoughts on the future of sound. Here are his…
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January 17th, 2022
Dirac Live Room Correction Means Happier Clients for Home Audio Specialist Supercalibrations
Dallas Dingle has specialized in high-end home audio—as a hobby and a profession—for more than 40 years. Founder of St. Paul, Minn.-based Supercalibrations, Dingle has…
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November 12th, 2021
The Arrival of Spatial Room Correction Technology
This article describes an approach to the challenge of applying DSP room correction to complex multichannel setups, intended for immersive audio reproduction. Instead of one…
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